Script and directed
by Yaroslav Fedoryshyn
Set and costumes
Alla Fedoryshyna ,
music composed by
Miron Datsko
Cast: :
, Tatiana Tkachenko, Natalia Marchak,
Petro Mykytiuk, Woldymir Gubanov, Yaroslav Fedoryshyn / Wolodymir
Chuchonkin, Evgenij Pietrov, Nazar Lis, Jurij Philipchuk.
The open air show 'Job' is produced on masterpiece
written by Karol Wojtyła (better known as the Pope, John
Paul II) in 1940, shortly after his personal experiences
of World War II beginning in September 1939. In the
script there is obvious reference to the biblical origin
of the world and the man, taken directly form the Old
Testament. The idea of performance touches relation
between God and man as a linear dependency when God
gives and takes. It builds trust in God's justice and
generosity and also in a prize for the belief even in
the most horrible suffering. Performance delights with
plastic form, polyphonic singing, dynamic choreography
and unique scenography and costumes. The spectacular
character of performance helps the actors to express the
invariability of human nature and divine faithfulness of
promise for the final prize.
Time of duration 60 min
REWIEVES
The piercing
"Job"
from
Lviv
Theatre
Voskresinnia
shown in
Opole
Market,
inaugurated
on
Thursday
XXXIV
Opole Theatre Confrontations
-
Polish Classics.Lviv's show is
in
the form of
an ascetic,
but
very
eloquent
and
moving.
A symbolic
set design,
actors
on
stilts,
gesture,
movement,
live
fire
and
poignant
singing
orthodox
build
a unique atmosphere.Nowa Trybuna Opolska
17.04.2008
Job's confrontation
beginning.
XXXIV
Opole Theatre Confrontations
"Polish
Classics"
began
Thursday
evening,
April 16outside the competition
show called "Job"
issued
by the
Lviv
Theatre
Voskresinnia.
The performance was
so
strange
about
that
took place
in
Opole
market,
which
could
attract
the audience
not necessarily
interested in
theatre.
Also a form of
play
could
be much
more
relaxed
than
that of the
theatre viewer
has
to
deal with every
day.
(...)
The impression of
doing
in this
case
could
very
suggestive
words
spoken by thelector
(...)
and
music,
also
very
suited
to the
climate of
the show,
once
a purely
ethnic,
other times
as a
drawing of a
longer
strictly
folktronic
compositions,
abstract,
or
experimental
But
skillfully
woven into
the
art itself,
well
it
corresponds
to
and
sensuous colored
it.
Should also be
proud of
lighting effects,
regardless
of whether
they were
flares,
and
sparklers,
flares,
or
"burning
glasses".
It seemed
that the
cold,
gusty
wind was
at times
an ally of
the Ukrainians
of the evening,
which has positively impacted
the
reception of
the whole. Piotr
Hamedinger,
Dziennik Teatralny Katowice April
18,
Lviv
Academic Theatre Voskresinnia
